Music company – Bastard Inc http://bastard-inc.com/ Fri, 22 Oct 2021 03:27:26 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://bastard-inc.com/wp-content/uploads/2021/06/icon-150x150.png Music company – Bastard Inc http://bastard-inc.com/ 32 32 The musical director of the San Francisco opera makes history. Can it help secure its future? https://bastard-inc.com/the-musical-director-of-the-san-francisco-opera-makes-history-can-it-help-secure-its-future/ Thu, 21 Oct 2021 20:30:00 +0000 https://bastard-inc.com/the-musical-director-of-the-san-francisco-opera-makes-history-can-it-help-secure-its-future/ By Javier C. Hernández New York Times The curtain had just fallen on the San Francisco Opera’s production of Beethoven’s “Fidelio”, and the mood was celebrating. The cast hugged each other, the audience gave a prolonged standing ovation and cries of “Bravo!” Echoed through War Memorial Opera House. But as she left the theater after […]]]>

By Javier C. Hernández

New York Times

The curtain had just fallen on the San Francisco Opera’s production of Beethoven’s “Fidelio”, and the mood was celebrating. The cast hugged each other, the audience gave a prolonged standing ovation and cries of “Bravo!” Echoed through War Memorial Opera House.

But as she left the theater after the performance on October 14, the company’s musical director, Eun Sun Kim, was overpowered. She was already thinking about areas she wanted to work on, including how to reshape the opening act of the second act to better capture a sense of hopelessness and ways to avoid being distracted by technical clues.

“An artist is never satisfied,” she said with a smile, as she walked over the granite floors.

The stakes are high for Kim, who in August became the first woman to hold the post of musical director at one of the country’s largest opera companies. Born in South Korea, she is also the first Asian to take on such a role.

His appointment was celebrated as a sign of change in the classical music industry. She is one of many women who have recently held senior positions in orchestras, a world which, despite some pioneers – like Sarah Caldwell, who founded the Opera Company of Boston – has long been dominated by maestros. male.

But Kim, who turns 41 on Saturday, isn’t comfortable with the attention. She recalled the example of her grandmother, a pioneering obstetrician in South Korea who yearned for a day when she would be called simply a doctor, rather than a female doctor.

“It’s hard work, it’s a big job, whether you are a woman or a man,” she said. “I want to be seen as a conductor.”

The challenges are formidable. Kim is working to help the San Francisco Opera recover from the turmoil of the coronavirus pandemic, which has resulted in the cancellation of 57 performances and the loss of more than $ 20 million in planned box office revenue. While the live performances are back, it is not clear if the audience will come back in force. Only about 6 out of 10 seats were full on ‘Fidelio’ opening night, although a morning performance a few days later was more crowded.

More broadly, Kim must face existential questions about the future of opera. The San Francisco opera house faced financial pressures even before the pandemic. Attendance has steadily declined in recent years, a problem facing many opera companies. In 2019, San Francisco reaped 76% of its potential box office revenue, up from 81% in 2014. Its subscriber base is older, with an average age of 67. The company’s audience is around 70% white, according to a 2018 survey, while the city of San Francisco is 53% white. There is a notable shortage of black and Latino customers.

The company hopes Kim’s appointment will help broaden its appeal. He has produced advertisements featuring her that hang from streetlights around town. “A new era begins,” they say.

“There is a wonderful energy that things change, that storytellers change,” said Matthew Shilvock, general manager of the San Francisco Opera. “It should be a building where everyone in the community feels they can come and experience something deep and deep.”

It remains to be seen whether the city’s residents will respond, especially with the delta variant of the coronavirus which still poses a threat. But Kim said she was up to the challenge and opera needs to find ways to connect with people who have grown up in a digital world.

“Opera is neither boring nor old,” she said. “These are the same human beings, the same stories, whether it was 200 years ago or today.”

Kim’s childhood was steeped in music. Her father was a civil servant who became South Korea’s culture minister, and her mother was a teacher.

She started studying the piano at a young age, but switched to composition in college because she found recitals too nerve-racking. At her University in Seoul, South Korea, a teacher was impressed with her ability to coach singers in a school production of “La Bohème” and suggested that she pursue conducting instead. But he warned her that she might have difficulty because she was a woman.

“Women were supposed to be more passive and more polite,” Kim said. “And for a woman, being a leader was not very common.”

She then studied conducting in Germany, making her professional debut at the Frankfurt Opera in 2012. She has gained the support of mentors such as pianist and conductor Daniel Barenboim and Kirill Petrenko, today conductor of the Berlin Philharmonic Orchestra.

Early in her career, she faced sexist comments that she had been successful thanks to her marriage to Michael Lewin, an influential artist manager. (The two have since divorced and Kim remarried, although Lewin remains her manager.)

Her US debut was in 2017, when she conducted a Houston Grand Opera production of “La Traviata”. Hurricane Harvey had flooded the company’s usual home and the show took place at a convention center.

“Under these circumstances, a major star of ‘La Traviata’ was Eun Sun Kim, a young Korean conductor making her North American debut, who led the performance with great sensitivity and flexibility,” wrote James R. Oestreich in a review in The New York Times.

The Houston-based company was so impressed that they appointed their Principal Guest Chef in 2018, a position they still hold. Around the same time, the San Francisco Opera – which, with an endowment of $ 300 million and an annual budget of about $ 72 million, is one of the largest companies in the country, with the Met and Lyric Opera, Chicago – was looking for a successor to Nicola Luisotti.

Kim said she was unaware of the research when the company invited her to lead Dvorak’s “Rusalka”. But this production, in June 2019, turned out to be a turning point. The stage crew felt Kim was eager to collaborate and exceptionally humble. The musicians of the orchestra raved about its musicality. After studying Czech to prepare, Kim spoke the words to the singers from the podium.

Realizing the buzz, Shilvock decided to do something he had never done before: watch a performance from the orchestra pit.

“There was just magic in the air, there really was,” he said. “Everyone felt empowered, able to create the best art possible. “

The company announced Kim’s selection in late 2019, just as the coronavirus was starting to spread. His initial five-year contract began in August with a series of Puccini’s “Tosca”.

This month, she turned to “Fidelio,” in a new production directed by Matthew Ozawa that was set to premiere last year. She did months of research to prepare, she said, reading about Beethoven’s deafness and listening to the first recordings of Austrian conductor Clemens Krauss. To focus on the German text, she ignored distractions in other languages, including “Squid Game”, the popular South Korean drama.

“I work with many conductors and love them all,” said soprano Elza van den Heever, who plays Leonore in “Fidelio” and has worked with Kim before. “But it’s different. There is a calm about her that is not often associated with conductors with great personality.

Speaking between rehearsals leading up to the premiere, Kim laid out her plans, saying she would start by staging an opera by Verdi and one by Wagner, each season. She hopes to achieve a “Ring” cycle in about five years.

In San Francisco, many are hoping that she will help attract a more diverse audience to opera. Ivan Hsiao-Suignard, a management consultant who attended the opening night of “Fidelio”, said Kim’s appointment was a promising start.

“For an art form as conservative as opera, I think it’s really refreshing to see the diversity on the podium,” Hsiao-Suignard said during the intermission. “But it’s not like it’s over.”

Kim said she had rarely been a victim of overt racism or sexism in her career, although she sometimes felt like others saw her differently due to her background. Lewin told her early in her career that she should be four times better than her peers because she was “Asian, petite and young.”

Amid an increase in reports of hate crimes against Asians in the United States during the pandemic, Kim said she decided not to speak out, despite pressure from friends, because she was relatively new to the world. this country and believed that the problem was a long-standing one. problem. She also expressed her opinion that the arts should not be too sensitive to the pressures of social movements.

“We cannot replace quality with diversity,” she said. “I’m looking for broad ways to invite really good artists regardless of gender or race.”

As she settles into her new role, Kim has become more comfortable embracing the momentous nature of her appointment. She said she often thinks of her grandmother, who taught her the importance of optimism and offered her regular career advice until her death at age 100 in 2012.

Sometimes after performances, Kim is approached by members of the public, young and old, who tell her that they never imagined they would see a woman on the catwalk.

“I am inspired by these people, because they speak from their hearts,” she said. “When I look at their faces, it is an inspiration to me.”

This article originally appeared in The New York Times.


Source link

]]>
Vegas company makes educated appeal to Judy Collins https://bastard-inc.com/vegas-company-makes-educated-appeal-to-judy-collins/ Thu, 21 Oct 2021 01:49:00 +0000 https://bastard-inc.com/vegas-company-makes-educated-appeal-to-judy-collins/ The Kats! Office at this writing is Tom’s Urban in New York-New York. Just around the bend and at the top of the elevator is Liberty Loft, and inside is that of Terry Fator last strip residence. We didn’t see the show at this cozy club, but we understand that Fator developed a joke on […]]]>

The Kats! Office at this writing is Tom’s Urban in New York-New York. Just around the bend and at the top of the elevator is Liberty Loft, and inside is that of Terry Fator last strip residence. We didn’t see the show at this cozy club, but we understand that Fator developed a joke on yours in his new number. Crooner country Walter T. Airedale, who is drunk, tells the joke. I buy him a shot later.

More of this scene and beyond:

Girl in Las Vegas

The Big Dance returns for the Nevada Ballet Theater in January.

Recording caption Judy Collins will be the winner of the 38th Annual NBT Black and White Ball, which takes place on January 22 at the Encore Ballroom at Encore Las Vegas. Collins, 82, is still busy on the road and is breaking away from a US tour of her new album, “Girl in Colorado,” to appear at the NBT event. She appeared as a co-headliner with Stephen stills at Reynolds Hall in September 2017.

Collins’ career spans six decades as she helped transform contemporary music. Collins’ “Both Sides Now” reached the Billboard Top 10 in 1967 and won Collins the inaugural Grammy, for Best Folk Performance.

She followed up with the singles “Someday Soon”, “Chelsea Morning”, “Amazing Grace” and “Cook with Honey”. His 1975 album “Judith” rose to number one, bolstered by his recording of “Send in the Clowns” by Stephen Sondheim.

Throughout his career, Collins has used his fame to implement cultural change. She has been active in the fight against social injustices, supporting environmental causes and taking the lead in mental health awareness.

“Judy Collins is a bona fide superstar who has spanned generations and continues to enlighten, entertain and inspire with her music and humanitarian efforts,” NBT Co-Founder and Co-Chair. Nancy Houssels said in a statement. “From the arts and entertainment to advocacy for mental health awareness, we are delighted to honor this legendary artist whose extraordinary life and career have made an unforgettable impact on our world. “

Collins joins a list of luminaries honored by NBT including, Debbie Reynolds, Celine Dion, Marie Osmond, Bette Midler, Mitzi Gaynor, Rita Rudner, Florence Henderson, Debbie Allen, Olivia Newton-John, Vanessa Williams, Giada De Laurentiis, Rita Moreno and Shania Twain.

Costa Entrance

Former magician “Masters of Illusion” Farrell Dillon moves into The Magic Attic at Bally’s. Her show opens Nov. 3 and runs at 6 p.m. every night (Dark Mondays).

One of the producers behind the move knows this place well.

Damien costa, longtime entertainment director at Caesars Entertainment, is co-producing the show at his company Pompey Entertainment with John and Shannon Bentham Ivoire Star Productions.

Costa left Caesars in September after spending approximately 8.5 years with the business. Prior to that tenure, he was Entertainment Director at South Point for almost four years. It was featured for shows continuously during this period. Now he’s a pitcher.

“I can tell you a little better in a few months what that looks like,” Costa said on Wednesday. “Right now, I’m just building the business. He says the time has come for the Farrell show. “It’s a family market, and having someone in town who can let people cheer and feel joy, feel elated – that’s what we want the magic to bring to Las Vegas.”

And Pompey is derived from Pompey the Great, the Roman general. It’s a sly nod to Julius Caesar, from Costa’s old post. Very clever.

Powell remembered

Cleveland Clinic Lou Ruvo Center for Brain Health founder Larry Ruvo was saddened to learn of the passing of Colin Powell. The four-star U.S. military general and former secretary of state died of complications from COVID on Monday at age 84. Powell was among the first dignitaries to visit the Ruvo Clinic just after it opened in 2012. Presidents Bill Clinton, George HW Bush and George W. Bush also visited the complex in the early days.

“He was one of our first and biggest supporters,” Ruvo said on Tuesday. “He was at one of our first auctions, in ’98 or ’99, to have lunch with him in Washington DC. Powell was later appointed Secretary of State under Bush 41, and the gift had not yet been claimed. He called Ruvo, saying that under normal circumstances he would not be allowed to participate in the auction, but that he asked for and got permission because the offer was made before he joined the Bush cabinet.

“It was one of our first very important donations,” Ruvo recalls. “It was a great moment for us, for the association. It was quite remarkable, looking back. He was a great friend and his involvement had a great impact.

ZB is back

It has been over 19 months since “Zombie Burlesque” was the last show to close on the Strip before the March 2020 COVID shutdown. The adult comedy / music review returns at 8 p.m. Thursday, returning to the V Theater in Miracle Mile Shops in Planet Hollywood. Enoch Auguste Scott and Sophie monique return to their plumb roles in the show. The rehearsals were nails, aside from a slight production issue involving a lack of proper lighting. No problem. “Zombie” is a force.

“I actually cried during rehearsals,” producer and suddenly softie David Saxony said. “I didn’t think it would hit me. But the show is awesome, and it will be amazing to finally see him come back on stage. “

Cool Hang Alert

Broadway star and Las Vegas resident Brent Barrett (Billy Flynn in “Chicago”, the lead role in “Phantom” at the Venetian) celebrates his career with “40 Years on Broadway” Thursday at the Italian American Club Showroom. It’s another winner for this favorite section, doors at 6 p.m., dinner at 6.30 p.m., show at 8 p.m. Barrett brings badk his pianist band Philippe Fortenberry, saxophonist Eric Tewalt drummer Jakubu Griffon, and bassist David ostrem. Jeanne Sobel and Bernard Blanks act as guest singers. The whole price is $ 65. Hit the club for more direction.

John Katsilometes’ column is published daily in section A. His “PodKats! podcast can be found at reviewjournal.com/podcasts. Contact him at jkatsilometes@reviewjournal.com. To follow @johnnykats on Twitter, @ JohnnyKats1 on Instagram.



Source link

]]>
Bill Kreutzmann to miss Dead & Company Red Rocks debut due to illness [Video] https://bastard-inc.com/bill-kreutzmann-to-miss-dead-company-red-rocks-debut-due-to-illness-video/ Wed, 20 Oct 2021 02:03:21 +0000 https://bastard-inc.com/bill-kreutzmann-to-miss-dead-company-red-rocks-debut-due-to-illness-video/ Drummer Bill kreutzmann will not be in alignment when Death & Company takes the stage at Amphitheater of the Red Rocks in Morrison, CO tonight, October 19. Tuesday’s performance, the first of the group’s two shows at this week’s famous natural amphitheater, will serve as the debut for Dead & Company’s Red Rocks. According to […]]]>

Drummer Bill kreutzmann will not be in alignment when Death & Company takes the stage at Amphitheater of the Red Rocks in Morrison, CO tonight, October 19. Tuesday’s performance, the first of the group’s two shows at this week’s famous natural amphitheater, will serve as the debut for Dead & Company’s Red Rocks.

According to an update released shortly before the show, the Kreutzmann group will be out due to an illness unrelated to COVID-19. Instead of Billy, drummer Jay lane-familiar with Deadheads through his work with Wolf Bros and various others Grateful dead-related projects — will be on drums alongside Mickey hart.

Kreutzmann went into more detail in an article on his own Facebook page. Read Bill Kreutzmann’s full note on his absence from tonight’s Dead & Company show at the Red Rocks Amphitheater below:

My friends, one of the many things this pandemic has reminded us of is that health is more important than anything. I developed cold symptoms this week and had it checked out and am relieved to report that it is not covid and that it is not something serious either. However, out of caution, my medical team advised me to take it slow so that I can continue doing what I love: making music with my brothers.

As I just went to Red Rocks with the kids, I can tell you that the altitude here really affects me and can get worse with the respiratory symptoms I am experiencing today to create unnecessary difficulty. So out of caution we called my friend Jay Lane to assist us in the drum chair tonight.

I love you and don’t worry I’m not going anywhere. I’m just taking a break, so to speak, so we can keep dancing and shaking our bones. I’ll be back full steam ahead in a moment.

Thank you for your understanding,
Bowl

Neither Kreutzmann nor the band have yet indicated whether the drummer will be available on other upcoming shows, including Wednesday’s second night at Red Rocks and a pair of nearby shows. Green Fiddler Amphitheater in Englewood, CO on Friday October 22 and Saturday October 23, likely taking a wait-and-see approach.

As Bob weir noted when the band took the stage with Lane a few moments ago, “So we’ve got a situation here tonight, and JonBo [John Mayer] here will help me explain it to all of you.

“It’s not COVID …” Mayer began. “… But that’s not good,” Weir added. “And so, Billy is not going to join us tonight, Billy Kreutzmann. And to make matters worse [laughs], we have Jay Lane here.

“But Bob,” Mayer interjected in a neutral tone, “what would you say to the people in the crowd who are now concerned about the condition of our friend and brother, Billy Kreutzmann?” Bob replied, “Billy will be fine. It’s not a COVID situation, and we look forward to its return, but in the meantime the show must go on. With that, the group embarked on an opening show “Not Fade Away”. Watch a video of the show’s intro and opening song below.

Dead & Company – Introductory Message> “Do not fade”

While Dead & Company has never played Red Rocks, that Dead spirit runs deep in Morrison. The Grateful death have performed there several times over the group’s three decades, while members of GratefulDead / Dead & Co Bob weir (with Wolf Bros) and Bill kreutzmann (with Billy and the kids) have both performed in the venue already in 2021. We’ll have to wait and see if Billy is ready to get back on stage at Red Rocks with Dead & Co tomorrow.

Feel better, Billy K, and break your leg, Jay! Head here for a full list of upcoming Dead & Company tour dates and check back to Live for live music tomorrow for a full performance recap.



Source link

]]>
Teaser for the song Chand released by Photofit Music Company already reaches 1 million views on YouTube, fans are now eagerly awaiting the song’s release https://bastard-inc.com/teaser-for-the-song-chand-released-by-photofit-music-company-already-reaches-1-million-views-on-youtube-fans-are-now-eagerly-awaiting-the-songs-release/ Tue, 19 Oct 2021 02:11:45 +0000 https://bastard-inc.com/teaser-for-the-song-chand-released-by-photofit-music-company-already-reaches-1-million-views-on-youtube-fans-are-now-eagerly-awaiting-the-songs-release/ The song teaser Chand, produced by Suresh Bhanushali and Photofit Music Company ft. Sambhavna Seth and Avinash Dwivedi are receiving unprecedented support from fans. the support of their fans, and the teaser for the song was enjoyed all over the internet. The sensational couple portrayed this adorable romantic chemistry onscreen. The real-life duo Sambhvana Seth […]]]>

The song teaser Chand, produced by Suresh Bhanushali and Photofit Music Company ft. Sambhavna Seth and Avinash Dwivedi are receiving unprecedented support from fans. the support of their fans, and the teaser for the song was enjoyed all over the internet. The sensational couple portrayed this adorable romantic chemistry onscreen. The real-life duo Sambhvana Seth and Avinash Dwivedi share this unparalleled bond of love which can obviously be seen in the teaser for the song “Chand” produced under the banner of Photofit Music Company. The teaser gets a lot of love from the fans, they clearly praise their chemistry on screen, the song has that lovely backdrop of Karwa Chauth’s one-day party.

What further adds to this vibrant music video is the picturesque location and romantic essence, where the song was shot by director Amit K Shiva. We can assure you that this song will surely be a wonderful treat. This project of the karwa chauth themed song “Chand” supported by Mr. Suresh Bhanushali and the team of Photofit Music Company, sung by the supremely melodious Vardan Singh, turned the vision into a perfect reality by Mr. Amit K Shiva.

More info: https://youtu.be/UX4icRkyZ_c

Fans are now excited about the song as the teaser created that romantic vibe on the internet, they chose the teaser and have already started making these catchy reels on the song, however, the entire music video for the song “Chand” will be released on October 20, according to the Photofit Music Company label, and the excitement can already be seen. The glorious project was led by Mr. Rajiv John Sauson, taking this soulful song “Chand” produced by Photofit Music Company higher than ever with a 360 degree strategy. Implementation and make it a cohesive movement. The song ignites the era of romance, being one of the biggest soul songs on the charts. The record company, Photofit Music Company has produced several big hits. In the near future, the music company photofit will offer feature films and music albums in various genres, said “Rajiv John Sauson, Photofit Music Company.

This romantic new song “Chand” will surely be a treat for all couples who capture the true essence of the Karwa Chauth festival, inviting you to experience the era of romance and tell this unparalleled love story.

Media contact
Company Name: The times applaud
Contact: Taushif Patel, author
E-mail: Send an email
City: Bombay
Country: India
Website: https://timesapplaud.com/


Source link

]]>
“What we wanted to do at first was just make music and see the world” https://bastard-inc.com/what-we-wanted-to-do-at-first-was-just-make-music-and-see-the-world/ Mon, 18 Oct 2021 04:12:32 +0000 https://bastard-inc.com/what-we-wanted-to-do-at-first-was-just-make-music-and-see-the-world/ “We met a friend the other day and he was like ‘You’re going to have TikToked, it’s inevitable,'” said Stefan Blair, half of Good Morning. “I was like, I don’t think that’s going to happen.” Spoiler: it’s done. A few months ago, a slow-motion snippet of their 2014 song “Warned You” became the soundtrack to […]]]>

“We met a friend the other day and he was like ‘You’re going to have TikToked, it’s inevitable,'” said Stefan Blair, half of Good Morning. “I was like, I don’t think that’s going to happen.”

Spoiler: it’s done. A few months ago, a slow-motion snippet of their 2014 song “Warned You” became the soundtrack to videos of anxious teens wallowing in breakup angst and waves of lockdown boredom.

“Our previous music is more akin to the teenage TikTok vibe, it’s especially fun that it’s the slowed-down version,” says fellow Good Morning member Liam Parsons, his eyes looking a mixture of fun and bewilderment. .

It’s not even the first time “Warned You” has received an unexpected boost. In 2015, Tyler the creator shared it with his Instagram followers, and three years later A $ AP Rocky sampled the Good Morning song ‘Don’t Come Home Today’ from the same project, their debut EP ‘Shawcross. ‘. Unsurprisingly, these are Good Morning’s greatest songs to date, with “Warned You” reaching 80 million plays on Spotify, Amazon and Apple Music.

TikTok teens might love “Warned You,” but these songs are firmly in the rearview mirror of Good Morning. NME are catching up with the band to talk about their sixth album, ‘Barnyard’, which comes out at the end of the week. They zoom in, Blair with a scruffy beard and Oneohtrix Point Never t-shirt and Parsons wearing a puppy smile that belies a roaring intellect.

“I just remember we wanted something that was difficult on Google”

As we speak, Melbourne recently claimed a record that no one wanted – the most locked down city in the world, with 246 days under its belt. It’s no surprise, then, that talks nostalgically turn to touring (also when Good Morning transforms into a quartet, adding drummer Joe Alexander and bassist James Macleod).

“We are really lucky to be shooting anywhere. All these crazy opportunities from this stupid little band, playing in Mexico, Taiwan, Thailand, China, Japan, ”Blair recalls.

“I thought about it so much during the pandemic; being disappointed I’m stuck at home in Melbourne and then trying to take stock and think of all the places we’ve been, ”he said, rolling a smoke.

“It’s true to what we wanted to do at the beginning, just make music and find a way to see the world.”

Almost ten years ago, friends Blair and Parsons shared the cost of a Foxtex four-track tape recorder and began recording music together. Once an EP was finished, they needed a band name. “I just remember we wanted something that was difficult for Google,” Parsons shrugged.

‘Shawcross’ led to another EP ‘Glory’, a fusion of the two titled ‘Glorcross’, then a streak of three short but adorable albums: ‘Prize // Reward’, ‘The Option’ and ‘Basketball Breakups’, the the latter two were both released in 2019.

Perhaps the most confusing part of Good Morning’s success is that they made it a fist without any radio tracks from the creators of Triple J Kings, who seem to have ignored their lo-fi indie rock meets Mac’s stoner blues. DeMarco.

“I’ve never mourned the lack of support we get from triple js,” Parsons says candidly. “They don’t play our music, that’s good. They’ve been given too much fucking power and credit. I think there is a way around them.

In 2019, the group signed a deal with Our Golden Friend, the management company run by Lorrae McKenna (whom Blair calls “Good Morning’s saving grace in recent years,” which helped alert the group to a streaming situation. sticky that they ‘you are still figuring out).

And in April, they unveiled their own Good Morning Music Company Worldwide label, which will co-publish “Barnyard” locally with Virgin Music Australia while Polyvinyl will handle it overseas.

This whole upgrade meant that “Barnyard” had to be a more serious business. “We really wanted to break 30 minutes for the first time, that’s the legitimate length of an LP,” jokes Parsons.

And they did, recording the 32-minute album in a rushed week in 2019 at Wilco’s The Loft studio in Chicago, which was available during their tour of the US (they’re now renting a modest studio in Preston). . Good Morning worked by “drinking Miller High Lifes and that almost pure Chicago alcohol, Malört,” and tried other new things, like an analog synthesizer called the Swarmatron that Trent Reznor used to create the score. Social network (“a lot of chaos,” Blair says).

The Swarmatron is one of dozens of parts that make up “Country’s” first rainbow layered cake. A chintzy-sounding rippling banger you can actually dance to, ‘Country’ is a new vibe for Good Morning.

“It really is New Order worship,” Parsons says.

‘Country’ is also quite talkative four minutes long – “a fucking prog song” to Good Morning, as their sound engineer Thomas Schick put it – and gives the band a chance to show off their talent for quotes such as “I think it’s a little different now / I have a boyfriend and I have a psychiatrist. “

“People who are supposed to have our best interests at heart are doing everything in their power to make the situation worse”

“Barnyard” is closed with closer “Country” and his “opposite song” “Too Young To Quit,” a finger-pinched torch song that draws the listener as Parsons’ voice rises like a distant cobra.

Thematically, he throws his cards on the table early, wanting to do something about environmental issues but at the same time feeling powerless. And their single “Burning” addresses Australia’s climate change crisis – and the federal government’s icy response. It was written in November 2019, just before the worst bushfires in Australia in a century.

“It was that anxiety of that particular time. It was an overwhelming sense of doom and it was totally justified, ”Parsons said.

“The people who are supposed to have our best interests at heart are doing everything in their power to make the situation worse. “

Elsewhere, Good Morning gives us a well-deserved laugh, in sequence three rock’n’lol songs with pop culture titles: ‘Wahlberg’, ‘Yng_Shldn’ (which makes fun of the TV show Young Sheldon) and ‘Matthew Newton’, a very Australian satire about the disgraced actor who sounds textured like an Anzac cookie thanks (you guessed it) to the Swarmatron.

“I think he was the first person I can remember in pop culture having been ‘canceled’,” Parsons said of the song’s inspiration, who pleaded guilty to assaulting his girlfriend in 2007 (the conviction was subsequently quashed). “It’s about nepotism in Australia and being put on a platform. Are you famous for merit or are you famous for who your father is? “

Good Morning may have knocked the chips down in its favor, but they’re about to level up through hard work and talent. Realizing that few Australian bands – and Australians, period – earn stable income during a pandemic, the duo launched a Patreon page where they offer exclusive songs, tutorials and live broadcasts, donating 100%. of their income to charity.

“There is always a need – someone always needs financial help. I took the advice of people who signed up to find out where they would like the money to go, ”Parsons says.

“It comes down to this thing in the beginning to be lucky enough and to be able to pay our rent and record in a studio that we have filled with our instruments,” Blair adds.

“What else do you really need?” “

Good Morning’s “Barnyard” will be released on October 22 via Good Morning Music Company Worldwide / Virgin Music and Polyvinyl


Source link

]]>
When a unicorn Charlotte goes public https://bastard-inc.com/when-a-unicorn-charlotte-goes-public/ Sat, 16 Oct 2021 22:07:30 +0000 https://bastard-inc.com/when-a-unicorn-charlotte-goes-public/ Last week, AvidXchange became the latest local company to go public. The company debuted on the Nasdaq under the ticker AVDX. Why is this important: The local fintech firm’s initial public offering marks the latest step in Charlotte’s evolution into a tech city. In recent years, the city has hosted significant expansions of tech jobs […]]]>

Last week, AvidXchange became the latest local company to go public.

The company debuted on the Nasdaq under the ticker AVDX.

Why is this important: The local fintech firm’s initial public offering marks the latest step in Charlotte’s evolution into a tech city. In recent years, the city has hosted significant expansions of tech jobs from companies such as Centene, Lowe’s. Check in, Better.com and Moody’s.

Charlotte has come a long way in the past decades, and the local economy is strengthened these days by more than just banking.

City Councilor Tariq Bokhari, who heads the FinTech nonprofit Carolina Fintech Hub, says the IPO of AvidXchange has significant ripple effects for the city’s entire tech sector.

“Right now, we’re going to profit immensely from the notoriety,” Bokhari says.

This means that while tech leaders overseas or across the country had never heard of Charlotte before, now they can associate her with big names like AvidXchange, he adds.

  • Groups like Carolina Fintech Hub have worked for years to develop the city’s tech brand and support startups. Last week, the group launched an acceleration program called Meta Lab, which will work with partners like US Bank to help startups in areas like business development and recruiting.

Go back: In 2000, entrepreneurs Michael Praeger and David Miller founded AvidXchange, which focuses on automating invoice payment and billing systems for midsize businesses.

  • “It was just two guys meeting at a cafe… in Charlotte with a crazy idea of ​​how we could change the way companies do business,” Praeger, CEO of the company, said Weekly. last in a ceremony at the company’s headquarters in Charlotte.
  • The company has grown over the years organically and through acquisitions, most notably Salt Lake City-based Piracle, which AvidXchange acquired in 2014.
  • AvidXchange moved to its new headquarters at Music Factory in 2017.

In that year, the company’s valuation reached $ 1 billion, making it a so-called unicorn.

In 2018, the company announced plans to open a head office in Salt Lake City, as I wrote for the Observer at the time. Also that year, the company announced plans to hire more than 1,200 new employees, doubling its local footprint, over five years, in exchange for more than $ 22 million in national and local incentives.

Today, AvidXchange has 1,500 employees in seven offices, including more than 1,000 in Charlotte, said spokesperson Chelcee Coffman.

The IPO will likely usher in further growth for AvidXchange.

In a securities filing last month, the company said it intended to use the proceeds of the IPO for workforce expansion, investment in sales and marketing, development of products, acquisitions and other uses.

  • “Today is the day every tech entrepreneur dreams of when they start a business,” Praeger said at the IPO celebration last week.

AvidXchange Celebrates IPO at Company HQ in Charlotte (Photo courtesy of Nasdaq)

AvidXchange declined to make any executives available for an interview with Axios. In an email, Coffman provided a statement calling the IPO an “incredible step” for the company.

“We remain committed to connecting buyers and suppliers through our two-way network to enable electronic payments and act as a catalyst for digital transformation,” the company said in the statement.

The big picture: AvidXchange’s IPO is also a big boon to the company’s early investors, which Praeger recognized last week as having been “very, very, very patient” over the years.

Nearly two decades ago, Charlotte executives from various industries each invested at least $ 50,000 in a fund “aimed at finding big returns by investing in young companies,” as the Charlotte Ledger recently reported. .

  • One participant estimated that the initial investment of $ 50,000 on the entire fund is now worth almost $ 500,000, according to the ledger.
  • Additionally, Praeger owns about 7.4% of the company’s shares, which are now worth around $ 350 million, the Observer reported.

The company’s IPO will further improve access to capital for young entrepreneurs, said Bokhari, who describes Charlotte as a long-time risk-averse place “that looks with a skeptical eye at things like blockchain.”

“This will go a long way. There is a lot of capital stranded in this city, ”he said.

Read the next story

9 upcoming drag shows in Charlotte, including a Hocus Pocus-themed dinner


Source link

]]>
Universal Music 300-page flyer: review https://bastard-inc.com/universal-music-300-page-flyer-review/ Sat, 16 Oct 2021 02:09:33 +0000 https://bastard-inc.com/universal-music-300-page-flyer-review/ In order to become a stand-alone listed company, Vivendi had to carry out an internal reorganization in 2020 to align the parameters of what would become Universal Music Group. In this context, part of the liabilities assumed directly by Vivendi had to be transferred to UMG so that the latter could have control of all […]]]>

In order to become a stand-alone listed company, Vivendi had to carry out an internal reorganization in 2020 to align the parameters of what would become Universal Music Group. In this context, part of the liabilities assumed directly by Vivendi had to be transferred to UMG so that the latter could have control of all musical assets. He also had to assume the obligations and responsibilities that came with them. One of those Vivendi obligations that UMG had to assume was to guarantee royalty payments capped at 100 million euros to the Beatles, Yoko Ono and certain Apple entities.

But that’s not surprising given that ownership of EMI, acquired in 2012, was owned directly by Vivendi, not UMG, so they had to make internal and financial maneuvers to bring EMI under the latter’s banner. UMG had to pay nearly 1.2 billion euros to Vivendi to take over ownership of EMI, which was done through internal debt maneuvers, according to the prospectus.


Source link

]]>
ARIA Board of Directors withdraws Denis Handlin his icon award https://bastard-inc.com/aria-board-of-directors-withdraws-denis-handlin-his-icon-award/ Fri, 15 Oct 2021 05:09:00 +0000 https://bastard-inc.com/aria-board-of-directors-withdraws-denis-handlin-his-icon-award/ The professional body’s Icon Award is presented periodically at a VIP ceremony in Sydney, in the hours leading up to the annual ARIA Awards. Only five ARIA icons were awarded. The first went to the late Mushroom Group founder Michael Gudinski in 2013, followed by Handlin, Sebastian Chase (2016), Roger Davies (2017) and Michael Chugg […]]]>

The professional body’s Icon Award is presented periodically at a VIP ceremony in Sydney, in the hours leading up to the annual ARIA Awards.

Only five ARIA icons were awarded. The first went to the late Mushroom Group founder Michael Gudinski in 2013, followed by Handlin, Sebastian Chase (2016), Roger Davies (2017) and Michael Chugg (2019).

ARIA’s turnaround follows the Australian Broadcasting Corporation’s Monday night (11 October) premiere of Face to face with music: the Sony music scandal, a 47-minute documentary that exposed the “culture of fear, harassment and bullying” in a workplace run by Handlin for 37 years.

The next day, the Q Music trade organization revoked Handlin’s honorary award at the 2020 Queensland Music Awards in his hometown of Brisbane.

The documentary, noted Kris Stewart, CEO of QMusic, “exposed the undeniable fact that cultivation under Denis Handlin’s leadership at Sony has had a significant human cost.”

He continued, “Toxic workplaces, whether in the office, in the boardroom, on stage or behind, have no future in Australian music. We cannot and should not accept or celebrate this kind of culture. The future of music must be a secure, united and equitable future for all. “

ARIA, for which Handlin served as chairman of the board for two separate terms, released his own brief statement on Tuesday.

“No one should feel unsafe, harassed, discriminated against or bullied in the workplace,” one reads. “ARIA will continue to work for safety, inclusion and equality across the music industry, especially through the process of cultural change that began in May of this year. We will listen to the voices that need to be heard and give our wholehearted support every step of the way. “

Handlin has amassed a vast collection of prestigious accolades during a 51-year career with Sony Music, which abruptly ended on June 21.

In light of the Four corners exposed, a growing number of industry insiders have taken to social media to demand that Handlin return his awards.

Mark Poston, former president of EMI Music Australasia and senior LGBTQ + manager of an Australian music label, addressed the ABC investigation in an op-ed published on Wednesday by Industry Observer.

“I think the immediate action needed for ARIA is to take Denis Handlin away from his ARIA Icon Award,” he wrote. “I suggest to you that this man is anything but an icon. You could say he’s iconic for all the wrong reasons – that would be a better summary. Perhaps the right way to frame this could be that this particular type of icon should never be allowed to exist again. “

Reports of the toxic work environment from national Sony Music company have surfaced in recent months in The Sydney Morning Herald, The Guardian and other mainstream media.

Earlier this year, as these surveys rocked the local industry, Sony Music Entertainment launched a review of the ANZ company’s workplace culture.

“We take all allegations of bullying, harassment and other inappropriate behavior by our employees very seriously and are vigorously investigating them,” read a statement issued by Sony Music Entertainment.

Sony Music Entertainment’s review is said to be ongoing.


Source link

]]>
Music industry figures call on government to support program to protect events from COVID cancellations https://bastard-inc.com/music-industry-figures-call-on-government-to-support-program-to-protect-events-from-covid-cancellations/ Thu, 14 Oct 2021 03:37:42 +0000 https://bastard-inc.com/music-industry-figures-call-on-government-to-support-program-to-protect-events-from-covid-cancellations/ Australian musicians and concert promoters say they fear what the future holds if the federal government does not put in place a program to help them obtain event insurance related to the pandemic. Performers across the country hope to resume performing and touring, as the country moves closer to vaccination targets that would allow COVID […]]]>

Australian musicians and concert promoters say they fear what the future holds if the federal government does not put in place a program to help them obtain event insurance related to the pandemic.

Performers across the country hope to resume performing and touring, as the country moves closer to vaccination targets that would allow COVID restrictions and border controls to ease.

But lingering uncertainty over the need for instant lockdowns or border closures means event planners – from musicians on self-funded pub tours to major festival promoters – can’t get insurance to cover their losses. if a show needs to be canceled.

The uncertainty means shows and tours that might otherwise already be on sale for 2022 are at risk.

On Thursday, promoters, artists and music industry organizations took advantage of a parliamentary hearing to once again call on the federal government to put in place a program that would cover the cost of insurance for events, similar to those in place in Europe and UK.

“Do I want it? No,” singer-songwriter Pete Murray told the Senate committee, which is considering a bill that would create the ploy.

“But do I need it? Yes.

“There is a lot of fear [in the industry]. “

John Watson of the music company Eleven, which manages artists like Midnight Oil and Missy Higgins, said the lack of insurance options was a “market failure” the government needed to step in and fix.

“More and more people are saying it’s too risky to go on tour,” he said.

In a submission to the committee, the Insurance Council of Australia said event insurance for pandemics “is not possible without government involvement”, given the difficulty of pricing risk.

Murray said if a government program meant he could insure his visits against a COVID-related cancellation, “at least we have some sort of assurance that we’re going to get something back.”

Vaccines do not target “quick fixes” for music

Representatives for promoter Fuzzy, which hosts festivals including Listen Out, said large-scale events come with major risks with large expenses and slim margins. Some may take a year to organize.

If the Sydney stage of the Listen Out festival with a capacity of 35,000 people were to be canceled on one day’s notice, for example – as Bluesfest was in March – Fuzzy would lose $ 4 million, said its co-founder Adelle Robinson.

A $ AP Rocky on stage at the Listen Out Festival in a yellow hoodie
A $ AP Rocky at the 2018 Listen Out Festival.(Provided: Brett Schewitz)

“We went from a healthy business to a loss-making business in 12 months,” said Ming Gan, another co-founder of Fuzzy.

The music industry is trading at a fraction of its usual level and has been decimated in the past 18 months.

The most recent I Lost My Gig poll, released in August, put the number of canceled events in the arts industry at 28,000 since July 1, representing $ 84 million in lost wages.

While more companies will return to the business in the coming weeks across Australia, “an 80% vaccination rate is not a silver bullet for the live music industry,” said Dean Ormston, manager of the music rights organization APRA-AMCOS.

The program “does not work without federal participation”

The federal government has provided targeted support to the music industry during COVID.

This includes $ 200 million through its RISE program, which provides grants to organize events, and $ 40 million for the Support Act, which helps music industry workers facing financial or mental health crises. .

But he repeated over and over that because states and territories are the ones that introduce border closures and closures, they should be tasked with putting this kind of program in place.

Tasmania and Western Australia have their own state subscription programs.

But figures from the music industry told the committee that given the cross-border nature of the work, a national approach was needed.

Australian Festival Association chief executive Julia Robinson said a state lockdown could halt plans in other states if group members couldn’t be sure they could return home without a stake. in quarantine.

The committee is due to report on the bill, introduced by Green Senator Sarah Hanson-Young, by Nov. 3 before it is voted on.


Source link

]]>
Summary of Entertainment News: South Korea’s “Squid Game” Is Netflix’s Greatest First Original Show; Branagh’s ‘Belfast’ Premieres UK As Oscars Buzz Grows And More https://bastard-inc.com/summary-of-entertainment-news-south-koreas-squid-game-is-netflixs-greatest-first-original-show-branaghs-belfast-premieres-uk-as-oscars-buzz-grows-and-more/ Wed, 13 Oct 2021 05:01:34 +0000 https://bastard-inc.com/summary-of-entertainment-news-south-koreas-squid-game-is-netflixs-greatest-first-original-show-branaghs-belfast-premieres-uk-as-oscars-buzz-grows-and-more/ Here is a summary of the current entertainment briefs. South Korea’s ‘Squid Game’ Is Netflix’s Greatest First Original Show South Korean hit show “Squid Game” has officially become Netflix’s biggest original series launch, the streaming service said on Wednesday. Nine-part thriller, in which cash-strapped contestants play life-threatening childhood games with the goal of winning 45.6 […]]]>

Here is a summary of the current entertainment briefs.

South Korea’s ‘Squid Game’ Is Netflix’s Greatest First Original Show

South Korean hit show “Squid Game” has officially become Netflix’s biggest original series launch, the streaming service said on Wednesday. Nine-part thriller, in which cash-strapped contestants play life-threatening childhood games with the goal of winning 45.6 billion won ($ 38 million), has become a worldwide sensation for Netflix since its launch less than a month ago.

Branagh’s ‘Belfast’ Premieres UK As Oscars Buzz Grows

Actor and filmmaker Kenneth Branagh takes audiences to the city of his birth and childhood with the semi-autobiographical dramatic comedy “Belfast” which made its European premiere at the London Film Festival on Tuesday. The predominantly black-and-white film centers on nine-year-old Buddy and his family, who live in a working-class neighborhood in North Belfast where Protestants and Catholics live side by side.

It’s an Allegory: North Korea’s Website Says “Squid Game” Reflects South Korea’s “Beast” Society

A North Korean propaganda website said on Tuesday that Netflix’s international hit “Squid Game” exposes the reality of South Korean capitalist culture where “corruption and immoral villains are rampant.” North Korean site Arirang Meari cited anonymous South Korean film critics as saying that the television series showed an “unequal society where people with no money are treated like chess pieces to the rich.”

“Dopesick” miniseries tells stories from all sides of the opioid epidemic

New “Dopesick” TV series aims to tell stories about the opioid epidemic still ravaging the rural United States, weaving testimonials from Purdue Pharma board members, prescription drug vendors, victims and government officials. Based on Beth Macy’s book, the semi-fictional miniseries is produced by 20th Television and will air on Hulu starting Wednesday.

Media veteran Alan Horn to retire as head of Disney Studios

Alan Horn of Walt Disney Co, who has turned the company’s studio into a media powerhouse and oversaw blockbusters such as “Avengers: Endgame” and “Black Panther,” retires at the end of the year after nearly ‘a decade. A former US Air Force captain, Horn joined Disney in 2012 and led the integration of Marvel Studios, home to some of the world’s biggest box office hits. Horn also oversaw “Star Wars: The Force Awakens” – the highest-grossing domestic release in history.

With “Captain Kirk” on board, Blue Origin returns to “space, the last frontier”

Three months after billionaire American businessman Jeff Bezos flew into space aboard a rocket built by his company Blue Origin, the craft is expected to take another fully civilian crew on a suborbital ride on Wednesday , this time with “Star Trek” actor William Shatner in the lead role. As one of four passengers selected for the flight, 90-year-old Shatner is set to become the oldest person to ever venture into space.

Paul McCartney accuses John Lennon of breaking up the Beatles

Paul McCartney said he wanted to continue playing with The Beatles when the band broke up in 1970 and John Lennon was the instigator of the breakup. Speculation about the causes of the disappearance of the world’s most famous pop group ranges from artistic and legal disputes to Lennon’s marriage to artist Yoko Ono.

Amy Winehouse’s belongings have been auctioned

Nearly 800 Amy Winehouse items, including the short dress the late British singer wore to her last concert, are up for auction. The green and black dress and a heart-shaped Moschino handbag that the Grammy Award winner has often been photographed in are expected to fetch $ 15,000 to $ 20,000 each.

Superman turns out to be bisexual; “Not a gadget”, says the writer

Out, out and far! – for Superman on National Coming Out Day. Jon Kent, the son of original Superman Clark Kent and journalist Lois Lane, turns out to be bisexual in DC Comics’ latest iteration of The Superhero’s Adventures.

KKR-led group set to close deal for rights to hits from The Weeknd, Lorde – FT

A consortium led by private equity giant KKR & Co is set to close a deal to buy the rights to the music of pop icons Lorde and The Weeknd for $ 1.1 billion, the Financial reported on Tuesday. Times, citing people familiar with the talks. The group of investors, which will take a majority stake, and the family office of Stephen Hendel, a former partner of Goldman Sachs, reach an agreement to buy the catalog of the music company Kobalt, whose roster also includes Paul McCartney and Stevie. Nicks, according to the FT report.

(This story was not edited by Devdiscourse staff and is auto-generated from a syndicated feed.)


Source link

]]>